I refuse to issue a spoiler alert for this movie. Let me put it this way: if you are ever unfortunate enough to be in a theater when this movie is playing, wait for the right moment to club the man with a gun who is forcing you to watch it. If he shoots you, you've lost nothing: the movie would have killed you anyway.
Seraphim Falls is the worst movie I've seen since Babel. It also happens to be the only movie I've seen since Babel, so perhaps a better explanation would be necessary. I have to assume that only intelligent people are reading this (yes, all four of you...three? Maybe?) and as a consequence, I can also assume you will not see this movie, unless you have a perverse interest in feeling your eyeballs try to pop out of your head and run down the aisle. So, I'll give it to you in brief.
Here's the deal...the movie starts out good.
No, I'm not kidding, it actually starts out real darn good. Yeah, and so did Anakin, tell me something I don't know. Seriously, though, this movie looked like a keeper, set in 1860-something, all about a chase of an ex-Union officer (Pierce Brosnan) by some dude (Liam Neeson) who wanted revenge. But let's break it down.
Strengths:
a) It's cryptic. You haven't a clue what the hell is going on, but Pierce Brosnan is being chased by bad guys after getting shot. It's like a realistic Bond movie. For instance, ol' fatso Brosnan tries to shimmy on a log across a raging river (albeit with one arm hurting from a bullet wound), loses balance like a past-his-prime movie star would, and falls in. He goes over the waterfall (not Seraphim Falls, mind you, but the incredibly overt symbolism gets worse later), but survives. How? Well, as any idiot who got shoved off a college high dive can tell you (read: me), falling thirty feet will hurt the soles of your feet...or give you a mean bellyflop, but it won't kill you. So, surprise! Brozzie lives.
b) It masquerades as realistic. I admit, (a) was real long. But the movie is realistic. After the Broz gets soaked, he has to start a fire to avoid hypothermia (snow lies all around in the forest). He accomplishes this while shivering like William Tell's son. Then, he takes off his shirt and digs the bullet out of his arm using his bowie knife. He is not happy about this. Who the hell would be? Instead, he makes noises you haven't heard since you tried to wrestle that greased pig and he kicked you in the gonads. Finally, he sears the wound shut by heating his knife in the fire and taking an iron to the gory flesh. Sweeeeeet. Oh, and he is in pain. Like these guys, after their first major battle.
So, I'm on board. In the extended opening sequence, there's almost no talking (bonus for PB, who still, um, sounds like Bond...in a bad way), a dude gets a knife dropped through his skull, and grown men cry...a lot. So, we're cool.
But then it goes to hell.
The realism of the movie drops faster than a feather in a vacuum (hrm...), and the jump the-, I mean, the "hey, this movie is worse than the movies Elmer Bernstein scored in the 1950s" moment came when Pierce Brosnan escapes Liam Neeson, who is holding a rifle on him, standing five feet away, by simply grunting and running off screen left.
It only gets worse. For hours, they ride along, with Brosnan somehow evading capture and killing people awesomely with his knife (the only bright moments). By the end, though, Anjelica Huston has showed up as some metaphor for something and somehow Brosnan shoots Neeson, but they both survive and walk away into the middle of a desert and disappear.
No, you're not missing anything. It's that retarded. Throw in a highly symbolic Mormon knock-off group, sage old Indian, and you've got yourselves a terrible movie. Throw in Ms. Huston in a garment that attempts to force her aging bosom into her face and you've got yourself a throat-slitter. Just remember to slit the throat of the person next to you first, unless they're incapacitated by how bad this movie is.
The cinema...what hell.